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A Song Called Hate

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble (!) Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism or use their airtime to criticise the host country for their illegal occupation of Palestine? The ...